The studio · Bern

About

My name is Richard Cervenka and I cut linoleum blocks in Bern.

Relief printing forces a decision. There is no grey — only black or paper — and that hardness is what pulled me in. Everything you see as white has been cut away, and a cut cannot be taken back. You can only keep cutting.

I print without a press, by hand. It is slower and it limits how many sheets exist, which is why the editions stay small and why no two prints are ever quite identical.

Every sheet is signed and numbered in pencil on the back, with the place and the date. The small formats are printed by me as well — signed, dated and stamped. Only the reproductions and the postcards are unsigned. The framed pieces are set in black wood behind an off-white mat; the frames in the photographs are for illustration only.

See all the work

Bern · Switzerland · Linocut

Cut by hand,
pulled by hand.

Original relief prints from a linoleum block. Every plate is cut by me, every sheet is pulled by hand, and every print is signed and numbered in a small edition.

30plates
3formats: A3, A4, 11.5 × 16 cm
0presses — all by hand
Die Leiter — linocut print by Richard Cervenka, A3, framed and hung, Bern
How a print is made

No press, by hand.

Filmed in the studio in Bern. Keep scrolling – the film moves with you.

  1. Hands cutting an image into a lino block with a gouge

    Cutting

    The image is cut into the lino block in mirror image. Whatever the gouge takes away stays white on the paper.

  2. The finished lino block of “Die Leiter”

    The block

    Die Leiter, fully cut. Every line and every ray is a single cut.

  3. A roller spreading black ink over the block

    Inking

    A roller lays a thin, even coat of ink on the block. Only the ridges left standing take the ink.

  4. A freshly printed sheet being peeled off the block

    Pulling

    Lay the paper down, press it by hand, peel it off slowly. Only now do you see whether the sheet worked.

See the formats
Commission requests

A block cut for you

A commission is a new linoleum plate, cut from scratch for one subject — a building, a portrait, a boat, a logo. It becomes an edition that exists only for you, and the original plate is yours at the end if you want it.

01

You send a photograph

One good image is enough. I will tell you honestly whether it translates into a cut — high contrast works, soft grey haze does not — before you pay anything.

02

A drawing for approval

I redraw the subject in pure black and white and send it to you. Nothing is cut until you are happy with that drawing, because a cut cannot be undone.

03

Cutting and printing

The plate is cut, proofed, and then printed by hand. How long it takes depends on the size and on how full the studio is — I will give you a date once I have seen the subject.

04

Signed, numbered, sent

Each sheet is signed and numbered in pencil on the back and carries a blind stamp pressed into the paper. Everything ships from Switzerland.

Tell me the subject, roughly where it will hang, and any deadline. If you already have a photograph, say so — I will ask you to send it in the reply.

The button opens your own email programme with everything already filled in, so nothing is stored on this website and nothing is sent without you pressing send yourself.

Your email programme should now be open with the request ready. If nothing happened, write straight to [email protected].